Cinema began as a novelty - projecting dancing shadows on a screen of simple every day scenes. But through the contributions of talented artists, a new cinematic language of editing emerged.
John Hess traces the development of editing from the Lumiere Brothers through Georges Méliès, Edwin S. Porter, and D.W Griffith.
1 comment:
John Hess's intelligent analyses are inspiring. He sees early film editing as the origin of cinematic language, then he says if cinema is a language, editing is the syntax.
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