Showing posts with label Tune in Tomorrow. Show all posts
Showing posts with label Tune in Tomorrow. Show all posts

Thursday, 29 December 2011

Rex Pickett, "Two Guys on Wine" and a better tomorrow

Things going bad for you?  Problems piled on problems, no end in sight?  It happens to us all at some stage. Just thinking of a few of those experiences reminded me of Peter Falk in Tune in Tomorrow (released in Australia under the original title of the novel by Mario Vargas Llosa, Aunt Julia and the Scriptwriter). Here's his gee-up speech just before a big radio broadcast:

"You've gone belly-up in shit creek. You need a paddle, real bad. What do you reach for? Art! That's what I'm talking about. The very apex of your art. I want to hear your sinews crack and strain. I want your souls to enter those microphones and emerge like ghosts in the homes of our listeners. There's an army of 'em out there, groping blindly, toiling in the darkness, waiting. For what? For you! For your incandescent, brilliant, palpitating talent to light up their miserable, impoverished, dull and worthless lives."
That's what I call taking an attitude toward your work.

"Two Guys on Wine"
It's also the story of Rex Pickett. His life turned to crap. His mother had to be moved into an assisted-living facility, at Rex's expense.  Result?  He hit rock bottom financially. Then his troubles really started.
I stayed on at my mother’s seaside condominium while trying to unload it, but the real estate market was seriously depressed and property wasn’t moving. It took a year and a half to sell it, during which time I learned that my agent had died of AIDS, my wife served me with divorce papers and informed me that she was remarrying, and I awoke to the fact that my modest trust fund was, because of my younger brother’s mismanagement of my mother’s savings, gone. I was destitute, agent-less, divorced, jobless, and, approaching 40, unemployable. No wonder I started experiencing panic attacks, one of which landed me in the ER of the V.A. Hospital in La Jolla. To say I was walking on eggshells back in those days would be an understatement. I was an emotional wreck. I thought it was all over. I’ve since joked many times that if I could have afforded a gun I would have shot myself.
And in his hour of desperation, what did Rex reach for?  Art!  The art of screenwriting. He wrote a little something called "Two Guys on Wine" which, for some reason, didn't take off. Rewritten and retitled as "Sideways," it did just fine. ("Sideways" is English slang. In Australia we might say someone was "on their ear," which comes down to the same thing.)

Rex has written a sequel to Sideways, a novel called Vertical.  ($10.20 on Amazon.com. Just click on the book cover to get there.)  And he's told the story of how Sideways came into being in a blog on Stage 32.  Have a read.  If you're going through a bad patch, think of Rex Pickett and hang on for that better tomorrow.

Friday, 4 November 2011

Tom Keith, "Tune In Tomorrow", "Radio Days", and "A Prairie Home Companion"

When I was a kid, we didn't have TV. We had something that might have been better; we had radio. In particular, we had radio serials, such as Superman, Tarzan, The Shadow, Blue Hills, The Muddle-headed Wombat, The Search For The Golden Boomerang, and the Argonauts Club. Radio had a powerful ability to suggest so much; the rest was up to you. If you had any kind of imagination, you could fill in the picture yourself. 

The people who did most to assist in this process were the sound-effects people. They did whatever it took to create sounds that reminded the audience of the mood or sensation the story required. Monkeys, car crashes, automobiles, piranha, you-name-it. (You'd be amazed at how vividly kryptonite could be conjured up in the imagination of a ten year-old boy by certain sounds.)

One of the best depictions in movies of the old-time radio sound-effects guy can be found in Tune in Tomorrow (1990). The film was released in Australia as Aunt Julia and the Scriptwriter, the title of the novel by Mario Vargas Llosa on which the film was based. It's one of my favourite examples of a movie adaptation that's better than the original book. Peter Falk, Keanu Reeves, Barbara Hershey. Check it out, but bring your imagination with you.

Tune in Tomorrow
Another movie which captures the spirit of the golden age of radio is Radio Days (1987), by Woody Allen. Set in the period before and during World War II, it includes a serial based on The Shadow, and features a musical score consisting of songs from the 1930s and 40s. The cast include Julie Kavner, Dianne Wiest, Tito Puente, Larry David, Danny Aiello, William H. Macy, and Mia Farrow and Diane Keaton (the only time those two appeared in the same Woody Allen movie). In this screen shot, Wallace Shawn is playing the part of The Masked Avenger on radio.
 
Wallace Shawn in Radio Days
A Prairie Home Companion (2006), Robert Altman's last film, tells the story of the final broadcast of a radio show. It has an unlikely cast, including Lindsay Lohan, Woody Harrelson, Tommy Lee Jones, Kevin Kline, Garrison Keillor, Lily Tomlin and Meryl Streep. The sound-effects man, both in the movie and in real life, was Tom Keith. He could produce sounds like "gunshot volleys" or a "singing walrus" on command. 
 
Tom Keith in A Prairie Home Companion, channeling a peacock for Meryl Streep.
Last Sunday, Tom Keith passed away at the age of 64.  R.I.P.