Showing posts with label Nora Ephron. Show all posts
Showing posts with label Nora Ephron. Show all posts

Monday, 31 July 2017

Interview with Nora Ephron

Because of her movies and despite no other, more personal, contact, I have long felt affection for Nora Ephron. The news of her death came as a major shock. A heap of interviews with Nora appeared on YouTube after she died. Here's one from Author Magazine.



First posted: 27 October 2013

Thursday, 12 January 2017

Nora Ephron on Golda Meir

"It’s okay being a woman now. I like it. Try it some time.” - Nora Ephron, in a 1975 interview with Studs Terkel


Wednesday, 22 April 2015

Tales from the Script

Book
Tales from the Script: 50 Hollywood Screenwriters Share Their Stories, by Peter Hanson and Paul Herman.

DVD
Here's a collection of interviews – in book form and on DVD – with a bunch of real screenwriters, including William Goldman, Shane Black, Frank Darabont, Paul Schrader, Nora Ephron, John August, John Carpenter, Paul Mazursky, Ron Shelton, Robert Mark Kamen, Antwone Fisher, David S. Ward, Steven E. de Souza, and others. (If you don't recognise all those names, you haven't been doing your homework as a screenwriter.) 

The book is great, the DVD is better. Partly for the joy of seeing the writers and hearing them speak, but also because of all the Extras on the disc. Worth it for the Advice for New Screenwriters section alone.

Here is a video clip which provides a taste of what's on the DVD.


First posted:10 October 2011

Sunday, 27 October 2013

Interview with Nora Ephron

Because of her movies and despite no other, more personal, contact, I have long felt affection for Nora Ephron. The news of her death came as a major shock. A heap of interviews with Nora appeared on YouTube after she died. Here's one from Author Magazine.


Wednesday, 27 June 2012

Nora Ephron: 1941-2012

Nora Ephron was born in New York City. Her parents, Henry and Phoebe Ephron, were also screenwriters. Nora modeled her self-deprecating and deadpan writing style on Dorothy Parker. She majored in political science and wrote for the weekly newspaper at Wellesley College, from which she graduated in 1962.

She then worked briefly as an intern in the White House of President John F. Kennedy. She moved to New York and became a mail girl at Newsweek
for a year. In 1966, as a reporter for the New York Post, she broke the news that Bob Dylan had married Sara Lownds.

While married to Carl Bernstein in the mid-1970s, at her husband and Bob Woodward's request, she helped Bernstein re-write William Goldman's script for All the President's Men, because the two journalists were not happy with it. The Ephron-Bernstein script was not used in the end, but was seen by someone who offered Ephron her first screenwriting job, for a television movie. 

Nora Ephron enjoyed international success with the hit When Harry Met Sally... (1989), a romantic comedy directed by Rob Reiner, starring Billy Crystal and Meg Ryan. The success of Sleepless in Seattle (1993), co-written with younger sister, Delia, established Ephron as Hollywood's foremost creator of romantic comedies. In her film Julie & Julia (2009), she told the parallel stories of famed food writer Julia Child and of a contemporary Manhattan woman who sets out to cook her way through every recipe in Childs's classic Mastering the art of French Cooking.

She was married three times, to writer Dan Greenburg, to journalist Carl Bernstein of Watergate fame, and to screenwriter Nicholas Pileggi (Goodfellas, Casino, American Gangster.)

Filmography:


Some articles by, or about, Nora Ephron at The New Yorker

Monday, 10 October 2011

Tales from the Script

Book
Tales from the Script: 50 Hollywood Screenwriters Share Their Stories, by Peter Hanson and Paul Herman.

DVD
Here's a collection of interviews – in book form and on DVD – with a bunch of real screenwriters, including William Goldman, Shane Black, Frank Darabont, Paul Schrader, Nora Ephron, John August, John Carpenter, Paul Mazursky, Ron Shelton, Robert Mark Kamen, Antwone Fisher, David S. Ward, Steven E. de Souza, and others. (If you don't recognise all those names, you haven't been doing your homework as a screenwriter.) 

The book is great, the DVD is better. Partly for the joy of seeing the writers and hearing them speak, but also because of all the Extras on the disc. Worth it for the Advice for New Screenwriters section alone.

Here is a video clip which provides a taste of what's on the DVD.