Seems the first reaction I get from people when trying to discuss my latest script idea is: "If you talk about it, won't someone steal your idea?" Even my podiatrist worries that I'm about to be robbed. Worse than that, wannabe writers worry their brilliant, never-before-in-history, original idea will be stolen if they breathe so much as a syllable about it.
|Bobby Bowfinger hands his script around.|
The first place I came across a discussion of the fear of plagiarism—as with so many other things—was Terry Rossio's Wordplay, Column 4: Steal this Column! wherein he explained:
Nobody in Hollywood steals screenplays. It's usually easier to just buy the damn thing.
Think about it. Imagine a writer has sent a finished script to an unscrupulous producer. The producer says, "Aha! Great screenplay. But I won't buy it -- I'll steal it instead!".
Okay, so now the producer has a stolen movie idea, some characters to re-name, maybe even some kind of loose structure. Next step, he's got to find a writer to write this faux screenplay.
No problem -- he just reads lots of scripts, conducts interviews, hoping to find a decent writer who'll write the thing the way he wants to see it. And whose fee isn't way beyond what it would have cost to buy the original screenplay in the first place.
But before any writing happens, the producer must negotiate the writer's deal, and perhaps wait for that writer's availability. Finally, the writer starts writing. Six months later he turns in something that may or may not be a good execution of the stolen idea.
And for all this, what has the producer gained? The potential for a lawsuit, and the dubious value of arriving second to the marketplace with the original idea.
Uh-uh. No, your average Hollywood producer or studio executive would rather buy your script if they love it enough to steal -- and then ruin it on the way to production. (Typical of the writer's fate in Hollywood -- you still get screwed, but at least you get paid.)
|Brad, thinking up a new idea to give away.|
Brad recently wrote that:
About ten years ago, an offer appeared on our office computer network. A local genius had come up with a "guaranteed, sure-fire winner idea for a movie." He offered the idea for sale for $100. All you had to do was the easy part, hand over $100, then write the script. I laughed about that for months.
This blog, Steal My Script, is based around my opinion that new writers (and some not-so-new writers) are overly concerned that their precious ideas are going to be stolen. I think that's (99% of the time) bullshit. I think a great script is just so damn hard to write that an idea is useless without execution.
Xander Bennett (author of Screenwriting Tips, You Hack) said this:
It's almost always the case that what you think is a billion-dollar idea is less than meaningless to somebody else. Nobody could have imagined Inception before Nolan wrote it -- at least not in a way that would have suggested a box-office success. Same with The King's Speech, Bridesmaids, Slumdog Millionaire or any number of surprisingly successful movies. Hell, Matthew Weiner sat on the concept for Mad Men for almost a decade. And it's clear why -- as anyone who's ever tried to sell their friends on that show knows, it's not exactly an easy idea to describe.Blake Snyder said this:
The other great part about road-testing your logline is that you have the experience of all-weather pitching. I pitch to anyone who will stand still. I do it in line at Starbucks. I do it with friends and strangers. I always spill my guts when it comes to discussing what I'm working on, because:
a. I have no fear that anyone will steal my idea (and anyone who has that fear is an amateur) and...
b. You find out more about your movie by talking to people one-on-one than having them read it.
|Alec Baldwin listens to a pitch in The Last Shot.|
Okay. I'm working on a romantic comedy about a journalism graduate who can't find a job as anything other than a blogger for an online newspaper. (That was one of the things that prompted me to start this blog, because I knew nothing about blogging and needed to find out the hard way.) My writers' group has the first 45 pages of a first draft and will be taking it apart later in the month. If I suddenly stop posting, it'll be because I've slashed my wrists. (Just kidding.)
First posted: 9 November 2011