Friday, 14 March 2014

The Soviet Theory of Montage

Here's another in the series 'History of Cutting' by John Hess.
Building on the works of D.W. Griffith and the development of "continuity editing" in early film history, Soviet silent filmmakers would pioneer new innovative ideas about editing that moved film from an extension of theater into a mature and powerful artistic medium.



1 comment:

Kathy Smart said...

Watching John Hess always makes me feel intelligent and learned.