The Beatles - Hey Jude

I admit it, this is a sentimental post for me: a trip back to my high school years. As I listen to this, I can see myself making sandwiches for my school lunch while listening to Radio 3SR in the kitchen.

Hey Jude topped the charts in Britain for two weeks and for 9 weeks in America, where it became The Beatles longest-running No.1 in the US singles chart as well as the single with the longest running time.

The Beatles did not record their promotional film until Hey Jude had been on sale in America for a week. They returned to Twickenham Film Studio, using director Michael Lindsay-Hogg who had worked with them on Paperback Writer and Rain. Earlier still, Lindsay-Hogg had directed episodes of Ready Steady Go! And a few months after the film for Hey Jude he made The Rolling Stones' Rock and Roll Circus TV special that featured John and Yoko but wouldn’t be shown until 1996.

To help with the filming an audience of around 300 local people, as well as some of the fans that gathered regularly outside Abbey Road Studios were brought in for the song’s finale. Their presence had an unlikely upside for The Beatles in their long-running saga with the Musicians’ Union in that the MU were fooled into believing the band were playing live, when in fact they were miming for the vast majority of the song. Paul, however, sang live throughout the song.

The video was first broadcast on David Frost’s Frost On Sunday show, four days after it was filmed. At that point transmission was in black and white although the promo was originally shot in colour. It was first aired in America a month later on 6 October 1968, on The Smothers Brothers Comedy Hour.

Why do we tell stories?

A question I've been asked from time to time is, Why do you write?

The first time I heard that question, my mind turned to the movie Shadowlands (1993), which deals with the life of C.S. Lewis, author of the Narnia books. Lewis was a prolific writer. His circle of literary friends (including J.R.R. Tolkien) formed a writers' group known as the "Inklings". (If you want to see writers discussing their ideas for stories in a learned, but passionate way, watch this movie.)

The Inklings discuss story ideas in an Oxford pub.

In Shadowlands, there is a scene where Lewis confronts a wayward student. The student becomes animated while talking about his love of books. Then he quotes his father as having said: "We read to know we're not alone." That rang true for me; true, but incomplete.

I answered the question—Why do you write?—by quoting from Shadowlands, "We read to know we're not alone," and adding: "We write in order to become known." Meaning, books and screenplays are a safe place for us to explore our inner turmoils, fears and pain, and to allow others to share in our examination. 

I was happy with my answer, until I read Brian McDonald's book, The Golden Theme. (I intend looking at that book in more detail later in the year, perhaps in discussion with Brian.)  It is a small book, overflowing with stories, which illustrate his many points. One of these is the idea that human beings tell stories to pass on survival information. He illustrates that with a story about the Indian Ocean earthquake and tsunami, well-known to Australians, which inundated parts of South East Asia in 2004 and killed almost a quarter of a million people. 

But the Moken people, who live on the coastlands of Thailand and Burma, suffered no deaths at all because they believed in an ancient legend. A story saved their lives. When the ocean receded and a small wave rolled in, the Moken people knew that it meant a tsunami was coming, and they headed for higher ground.
   Their legend says that there will be seven waves before the big wave comes—the wave that eats people. It's called the Laboon and it is caused by the angry spirits of the ancestors. 
   When the spirit of the sea becomes hungry and wants to taste people again, it sends a wave to swallow them up.

What do you think? Does that story reflect reliable scientific fact? The people who knew the story to be unscientific ignored the warning and died in the tsunami. The 'ignorant' fled and survived. Story 1, Science nil.

Matsushima Bay

I was reminded of this when I read another story in the L.A. Times on March 11, 2012, called Japan's 1,000-year-old warning. José Holguín-Veras says he was in a refugee center on the island of Miyatojima, at the entrance to Matsushima Bay, when he stumbled on a story that taught him something unexpected: Collective memory—story—can save your life. A local man told him this story.

A millennium ago, the residents of Murohama, knowing they were going to be inundated, had sought safety on the village's closest hill. But they had entered into a deadly trap. A second wave, which had reached the interior of the island through an inlet, was speeding over the rice paddies from the opposite direction. The waves collided at the hill and killed those who had taken refuge there. To signify their grief and to advise future generations, the survivors erected a shrine.
    (Later, when) village elders reviewed the local temple's records, they found reports pinpointing a large tsunami 1,142 years ago. It was most likely the result of the massive Jogan Jishin earthquake of 869, which devastated the Sanriku coast. Thirty years before the great Mayan cities were abandoned, at the height of the Muslim and Chinese empires, when Europe was in the midst of the Early Middle Ages (and 600 years before Columbus stumbled into the Americas), a community of unknown fishermen honored their dead and successfully sent a warning to future generations.
   Some 50 generations later, on March 11, 2011, the Murohama tsunami warning tower — which was supposed to sound an alarm — was silent, toppled by the temblor. Still, without the benefit of an official warning system supported by modern science, the locals relied on the lesson that had been transmitted generation to generation for 1,000 years. "We all know the story about the two tsunami waves that collided at the shrine," I was told.
   Instead of taking refuge on the closest hill, the one with the shrine, they took the time to get to high ground farther away. From the safety of their vantage point they saw two tsunami waves colliding at the hill with the shrine, as they did long ago. Tragically, not everyone made the right choice; I was told of at least one person who died.

Story 2, Science nil.

First posted:  21 March 2012

2015 Salute to Cinema

Ben Zuk has compiled a year's end salute to the movies of 2015. Enjoy!

66 Movie Dance Scenes (from 1953 and earlier)

Michael Binder loves old movies and has a lot of time on his hands. In this video, he edited together a stunning mashup of some of our favorite dancers and singers, including people like Gene Kelly, Shirley Temple, Groucho Marx, Rita Hayworth, Mickey Rooney, Frank Sinatra, James Cagney, Stan Laurel, Oliver Hardy, Judy Garland, "Bojangles" Robinson, Ginger Rogers and Fred Astaire. None of these clips was sped up or slowed down. 

If you love the old classics and wish they made movies like they used to, turn up the volume, kick back and watch this.

PS: If you want to know the names of the films, click on the video’s subtitles button.

Michael Binder got the idea for his mashup after watching this 100 Movies Dance Scenes Mashup. Same song, different movies.

Writing and interruptions

At our last meeting, one of the guys in my writers' group made a comment about how infuriating it can be to suffer an interruption when you are in full flight, writing.

That reminded me of John Cleese, as many things do. In particular, this video, which opens with an appalling joke about Flemish, the language, then moves on to a discussion of some of his experiences with creative writing.

It is worth watching, apart from the opening joke. I once showed it to my wife, who subsequently interrupted me less frequently when I was writing. Maybe that can work for you, too.

First posted:  19 March 2012

Breaking Bad // Pulp Fiction

Here are some visual parallels between Breaking Bad and Pulp Fiction, showing the influence of Quentin Tarantino on Vince Gilligan, courtesy of Jorge Luengo Ruiz.

Andrew Stanton: The clues to a great story

Andrew Stanton wrote the first film produced entirely on a computer, Toy Story. What made that film a classic wasn't the history-making graphic technology, it was the story and the characters that children around the world instantly accepted into their own lives. 

Stanton wrote all three Toy Story movies at Pixar Animation Studios, where he was hired in 1990 as the second animator on staff. He has two Oscars, as the writer-director of Finding Nemo and WALL-E. His adaptation of the Edgar Rice Burroughs fantasy-adventure John Carter, opens in cinemas in March.

The following video runs for nineteen minutes. It consists of a speech Andrew Stanton made to the TED Conference in February 2012.

If you have any level of interest in screenwriting, or if you wondered about the theme of Lawrence of Arabia, you MUST watch this video.

(My thanks to Brian McDonald for telling me about it.)

First posted:  8 March 2012